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supported by 4 fans who also own “Intro”
Spacey, electronic sounds are brilliantly counterpointed by the recordings of nature, and the heaviness is balanced by subtle guitar chords. Niesner avoids pathos and opts for rather subtle nuances, imaginative arrangements, and a dramatically constructed lyrical story. More: https://thequietus.com/articles/32149-czech-music-guide-tomas-niesner-irena-and-vijtech-havlovi-gurun-gurun
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supported by 4 fans who also own “Intro”
Discernible tension throughout. Excellent soundscapes with a great use of the stereo field.
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PTSPR002 | Liptov
by Various Artists
supported by 4 fans who also own “Intro”
Eastern European folk music has enticed me for a long period of time, and this is as good a document as any that I have come across. The electronics and the experimentation definitely makes it more accessible.
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Sweden's Catharina Jaunviksna, aka Badlands, creates gently glowing '80s-inspired pop - think of it as new wave in pastel rather than neon.
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Expansive shoegaze with a strong sense of grandeur and drama, new on Holodeck.
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The expansive electronic songs on “Canary” reflect both a sense of unease about the world’s future and finding hope to carry on.
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supported by 4 fans who also own “Intro”
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